#WHERE IS CHROMA KEY IN PREMIERE CC FULL#

IвЂ™ll leave actual explanation to Taran, as he has visual aids to demonstrate, but the Hue vs Hue adjustment is available in other editing applications like DaVinci Resolve, and itвЂ™s a fantastic way to be able to quickly and easily take care of colour casts and spill. Taran finally discovered a method using the Hue vs Hue sliders within Lumetri in Premiere Pro. To finish up our image, go to LAYER > MATTING > REMOVE WHITE MATTE.Taran has tried a lot of techniques to try to eliminate green spill from keyed out footage, and a lot of the plugins and tools available for chroma keying are supposed to take care of it automatically, although they often donвЂ™t. There is a nice tool that eliminates all white matting. Last but not least, now that we have isolated and desaturated the green spill around our subject, the extra bits are now white instead of green.

#WHERE IS CHROMA KEY IN PREMIERE CC FULL#

Then go to the SATURATION slider and reduce it to about -70 or -80.ДЇinally, adjust the slider at the bottom until the full range of green has been eliminated from around your subject. In the properties window that opens up, you will want to change MASTER to GREENS. The goal is to isolate the green halo and desaturate it out of the image. To do that, we are going to add a HUE/SATURATION layer from our ADJUSTMENTS tab. To shave off the next 1% of the green screen in our master image, we want to eliminate the green halo around our subject. I notice immediately there is now a halo around my subject, and if I zoom in, I can also see green spill in the hair and beard as well. Looks pretty good now, right? If we want to make sure there is no more green, a good trick is to create a new layer and make it black behind your master image.

Now your master image will show a dotted line selection around your green screened area. Then, go back over your master image and keep clicking in the different color ranges of the green screen until you see your color range icon turn white in the appropriate areas. In order to select the rest of the green screen, choose the eyedropper + icon below the save button in the color range window. Your icon in the color range window will change a bit, but will still show some gray or black in the green screen area that still needs to be added to your color range selection. At this point, you will want to simply take your eye dropper tool and click on the green screen in your master image. If you pan your mouse over the master image, you will also notice you have an eye dropper tool. You will now have a new window that allows adjustments, along with a white icon of your master image (the white shows what color is being isolated and selected, whereas the black is being ignored). To first get rid of the bulk 98% of the green screen in your image using Photoshop CC, you will want to go to SELECT > COLOR RANGE.

Refine with White Matte Reduction (clean up remaining green spill).

Adjust Hue Saturation (to remove the green halo).Color Range Selection (to get rid of the bulk of the green screen).I am going to show you how you can overcome these hurdles in three simple steps using Photoshop CC. Two major issues to resolve are the green halo around a person or object, or the dreaded green spill in a personвЂ™s hair.

The biggest obstacle of most editors throughout this process is finessing the image to eliminate all of the green. As an editor there will be times that you receive green screen footage that needs to be keyed out and retouched in some fashion.

Where is chroma key in premiere cc